Monday, January 31, 2011

Jersey Monday: LeBron James

In last week's edition of Jersey Monday, I mentioned that I had another jersey in transit to add to my collection (oh, and btw, the Harrison jersey arrived in plenty of time for the Super Bowl).

Well, here it is.

Yes, this means I now have nearly as many LeBron James Heat jerseys (3) as I did LeBron James Cavaliers jerseys (4). However, I was never really a collector of the various throwback jerseys the Cavaliers used during LeBron's time there, nor would I jump on any Heat throwbacks the team unveils while LeBron is in Miami (not that the Heat have much history to throw back to). I did get the All-Star jerseys for 5 of LeBron's 6 appearances as a Cavalier, only missing last season -- and I'd still like to track that down at some point.

I've got a trip to Miami scheduled in March and I've got tickets for four Heat games. Now I've got three different LeBron Heat jerseys to wear to those games, which just means one more and I can wear a different jersey to every game. So while Jay-Z may not wear jerseys because he's 30+, I'm clearly fine with it.

Jersey Monday will continue every Monday until I run out of jerseys to spotlight. And since I’ve got more than 150 of them, that could be awhile.

Friday, January 28, 2011

30 Rock "Operation Righteous Cowboy Lightning" Reaction


Last week, I wrote that some of "Tracy Jordan"'s best lines may have just been random things Tracy Morgan said and they added to the script. Then, last night, Morgan went and said this on TNT before the Heat-Knicks game, yet somehow the scripted episode of "30 Rock" that aired a few hours later was even more random.

In fact, "Operation Righteous Cowboy Lightning" (and the title probably should have been an indication that we were in for randomness) might have been "30 Rock" at its most scattershot best -- which is why I picked the most random screenshot possible (sorry, Tina Fey!).

Tracy was at the center of the episode, with Liz trying to get him to take his job on "TGS" more seriously. Normally Tracy would have just blown her off, but he's been nominated for an Oscar AND Angie's reality show cameras were following him around, so he couldn't screw up, and Liz saw this as the perfect time to take advantage of him. That led Tracy to get creative in his ways to tell Liz off, including one spectacular scene in which Tracy sang his answers to the tune of "Uptown Girl".

Meanwhile, Jack was working on his first big project post-Kabletown merger, pre-taping natural disaster benefit telethons, which is where the episode draws its title from. The scene with Robert De Niro taping possible disasters (complete with the worst British accent ever) and the final scene with the disaster unfolding -- in more ways than one -- were just inspired.

And then, somehow, Lutz got a storyline... and somehow, it worked. You see, in the end, the whole episode was really about the stupidity of reality TV, and that was framed around the Lutz story, in which he pretended to have a car and was forced to choose which three co-workers he'd save in the event of a disaster, as if he was voting people off on a reality show.

Obviously, Tina Fey has an ulterior motive in denigrating reality TV (and there was a line in the show that might have been delivered by her and not her character), but the episode was way too funny to be heavy-handed in its theme. Besides, if you spent all your time looking for a theme, you totally missed the insane randomness, and that would truly be a shame.

OK, top 10 lines time. And... go!

Thursday, January 27, 2011

Castle "Knockdown" Reaction


For what is pretty much an episodic procedural, "Castle" has a handful of really good serialized elements, and two of them were on display in Monday's episode, "Knockdown."

First, let's address that picture up there. Yes, Castle and Beckett finally kissed, ending years of will-they-or-won't-they speculation... sort of. See, Castle only kissed Beckett to sell a bit he and Beckett were doing to distract a guard, but then, after they separated the first time, Beckett kissed him again. The way the moment developed, and how it wasn't the centerpiece of the episode, felt so organic and so well done. It was a great job by everyone involved, from the writers to the actors to the directors, and bodes well for the show going forward (especially since most shows go incredibly downhill after a pair of "will-they-or-won't-they" characters gets together).

But as much as this episode will be talked about, and remembered, for that kiss, it was more about the other major continuing story on "Castle," the murder of Beckett's mother. I was a little disappointed at one significant development -- for the second time, someone with information regarding the case was killed before they could get all the information they needed from him, which contrasted with the kiss seems like really lazy writing -- but everything else was good. I was particularly impressed with the performance of Jonathan Adams, who I'd loved as Dr. Goodman on Bones. His character ended up having little to nothing to do with the case, but Adams sold his scene anyway.

There was an undercurrent to both stories, about why Castle continues to shadow Beckett even though he's got more than enough material to continue writing Nikki Heat novels. It's been a question that's lingered over the season, and there's a reason it came up so prominently in this episode. The answer is tied to both of those ongoing serialized elements: Castle stays because he has feelings for Beckett, but also because he wants to help solve this case.


On a weekly basis, "Castle" does a good job of making its everyday cases interesting, in large part because of its characters. And when those characters are so closely tied to the plot, it just makes things better, which is why this episode was probably my favorite of the season. 

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Wednesday, January 26, 2011

Desktop Girl of the Week: Lyndsy Fonseca


With the return of "Gossip Girl" and "Hellcats", I've watched more CW this week than I had all year previously, and with that comes seeing pretty much non-stop promotions for other CW shows. The one ad I keep seeing over and over again is for "Nikita", a show I haven't been watching , but probably should be, and this week's episode apparently focuses on Lyndsy Fonseca, who plays Alex.

It's always weird for me to see Fonseca in more serious or grown up roles, since I see her almost every week in archive footage on "How I Met Your Mother" (where she plays Future Ted's daughter in the framing scenes, all of which were shot about five years ago). I still think of her as that girl, even after having seen her play more sexualized characters last year in both "Hot Tub Time Machine" and "Kick Ass", two movies I thoroughly enjoyed.

Fonseca also had a decent, if forgettable, run as Dylan Mayfair on "Desperate Housewives." Though she was intimately involved with the big mystery of the season, she never really got to dig into the role, because as it turned out the mystery was a mystery to the character as well as the audience (and, personally, I think it was the best reveal the show's had to date).

If I ever do start watching "Nikita", Fonseca will probably be a big reason why.

As always with DGOW, I’ll provide a widescreen (1680x1050) image for downloading. If you want to see past DGOW, then just check the archive album.

Gossip Girl "The Kids Are Not Alright" Reaction


It's a staple plot of any romantic comedy: two people meet, hate each other, reluctantly spend time with each other for some convoluted reason (or reasons) then end up falling in love.

But here's the problem: "Gossip Girl" is not a romantic comedy, and Dan and Blair aren't star-crossed lovers. That's why Monday's episode, "The Kids Are Not Alright" didn't sit right with me, because while everything else was going on -- Serena and Chuck both scheming against Lily, and Lily scheming right back, new foils for Chuck in both business and romance, Nate's father's ongoing adjustment to post-prison life -- it felt like there was SOMETHING going on between Blair and Dan that we weren't quite privy to.

Aside from that, I did like the story between Blair and her mother, if only because an adult finally called a kid out on their bullshit on this show. Even Lily fell a step short of doing that with Chuck and Serena, choosing to work the angles instead of being direct. But Blair's mom just came right out and told Blair she was acting like a child -- regarding an internship she wanted with her latest "mentor of the minute" -- rather than sugarcoating it, or even worse letting her get away with it.

Yes, it's good that they're forcing Blair to grow up, even if they're not doing it with any of the other characters (seriously, how many times can Chuck, Serena, even Eric, make the same mistakes?), but that doesn't mean she needs to date Dan, or have a fling with Dan, or even hook up with Dan. Just no.

Lastly, this week's episode introduced Russell Thorpe and his daughter Raina, the aforementioned business and romantic foils for Chuck, and they're played by Michael Boatman and Tika Sumpter respectively. That's a big step for a show that has primarily taken place in a white-washed version of New York, and I've always liked Boatman's work, so he's a good addition to the cast.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Tuesday, January 25, 2011

Chuck "Chuck Versus the Gobbler" Reaction


You'd be forgiven if you were thrown off by the episode title of this week's "Chuck", which seems more appropriate for a Thanksgiving episode than one in late January. But "Chuck Versus the Gobbler" had nothing to do with turkeys and everything to do with relationships.

The three main relationships spotlighted in this episode were Chuck and Sarah (obviously), Morgan and Alex (Casey's daughter) and Ellie and Awesome. There was a nice little theme of "trust and honest" working as an undercurrent with the episode, but it wasn't thrown in our faces, which is something "Chuck" has struggled with this season.

I think the show tried a little too hard to make us think that Sarah could possibly fall victim to the same temptations that led Chuck's mother to work with Volkoff all these years, when we know that the odds of that happening in the long run are zip and zilch.

The main mission of the episode was Sarah (working undercover for Volkoff) breaking one of Volkoff's men -- The Gobbler -- out of prison, and using Chuck and Casey to do it. The funny thing was, when Volkoff was reunited with The Gobbler, he shot him point blank, dispatching of him without a second thought. However, he manages to not do the same to Sarah, Chuck or Chuck's mother at any point in this, or any previous episode. I know it's unlikely for a show to kill off a major character, but then you can't have those characters CONSTANTLY interacting with a villain who's shown he'll kill with almost no motivation. It's just eye-roll inducing, and it really killed any enjoyment I might have taken out of this episode.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

This Week in Buffy History: January 25-31

January 25
2000 - Episode 4.12 “A New Man” airs on The WB
2000 - Angel Episode 4.12 “Expecting” airs on The WB

January 26
1987 - Andrew J. Ferchland born (played the Anointed One)
1999 - Episode 3.13 “The Zeppo” airs on The WB

January 27
1998 - Episode 2.15 “Phases” airs on The WB

January 28
2004 - Angel Episode 5.11 “Damage” airs on The WB

January 29
2002 - Episode 6.12 “Doublemeat Palace” airs on UPN
2003 - Angel Episode 4.10 “Awakening” airs on The WB

Monday, January 24, 2011

Jersey Monday: James Harrison

So this is something of a departure for "Jersey Monday" -- and not just because it's so late. I'm featuring a jersey I don't own... yet.

I already have four different Steelers jerseys, two of which I'm actually not ashamed to wear, but I wanted to get a new one for this year's Super Bowl, so I put in an order today for a James Harrison jersey with the Super Bowl XLV logo on the front.

Why Harrison? Well, all of my existing Steelers jerseys are of offensive players (a quarterback and three wide receivers), so I wanted to go defense with this one, and Harrison seemed like as good a choice as any (plus, I don't have many good jerseys in the 90s, so this will be a  nice addition to the overall roster).

Once I have this jersey in hand, it'll be "one of two" in two different categories. It becomes just my second white Steelers jersey, and my first with the modernized number style, and it's just my second jersey in any sport with a championship logo designation (joining my gold Kobe Bryant jersey with the Finals logo).

Also, by adding a fifth Steelers jersey to my collection, Pittsburgh moves up in the overall total jerseys rankings. Here's where things stand as of the order of this jersey (and one other in-shipment order that will probably get delivered this week):

Team Total Jerseys Diff. Players
Washington Redskins (NFL) 11 11
Miami Heat (NBA) 6 3
Cleveland Cavaliers (NBA) 5* 2
New York Mets (MLB) 5 4
Pittsburgh Steelers (NFL) 5 5
* - does not include All-Star jerseys

Sunday, January 23, 2011

Fringe "The Firefly" Reaction


I needed to watch Friday's episode of "Fringe" a second time before reacting to it, because the first time I watched, I kept waiting for a moment that I'd convinced myself was going to be in the episode, but never was and really never had any reason to be. Upon second viewing, when taking the "The Firefly" in for what it was, it was pretty damn good.

The end of last season and the beginning of this season showed us some of the major universe-altering effects of Walter taking Peter away from his home dimension. However this episode focused on the smaller effects, the ripples within the show's primary universe that might have gone unnoticed if not pointed out by The Observer.

Throughout the first two-plus seasons of "Fringe", The Observer has been the show's most mysterious character, and even the few bits of his story we've seen seem to be muddled. Friday's episode was no exception, particularly when it came to the meetings between the two observers. But as the episode progressed, you could see the puzzle of The Observer's actions falling into place, even if his motivations were still shrouded in mystery (until the final, ominous scene).

Friday, January 21, 2011

30 Rock "Mrs. Donaghy" Reaction


Danny's alive!

The first appearance of Cheyenne Jackson's little-used but always-funny TGS character in a long time was only one of the many highlights of the first episode of "30 Rock" of the new year. His story, in which he was forced to share a dressing room with Jenna, leading them to argue like a married couple, with Kenneth as their surrogate child, was great, but only comes in third among the episode's plots.

The episode, "Mrs. Donaghy" drew its title from a mix-up on Jack and Avery's marriage license, leading to Jack legally being married to Liz Lemon. The interplay between the two of them -- each one trying to blackmail the other to get what they wanted -- was beyond perfect, and I loved the way the show used this silly plot to both acknowledge and permanently shoot down the fan clamor for Jack and Liz to get together. My favorite moment had to be Liz's press conference (pictured above, as Jack watched) in which she used an accent she described as her imitation of Drew Barrymore in "Grey Gardens."

As for Tracy Jordan, he and Angie were worried because Dr. Spaceman said Tracy was going to die (though he didn't exactly give a time frame) and Angie was worried about her financial safety after Tracy's death. This first led to Jack making Angie an intern for Liz (as part of their back-and-forth), then eventually giving Angie her own reality TV show. Check out this promo, which pretty much covers everything that's wrong with TV today:

OK, now for the top 10 lines from Thursday's episode:

The Big Bang Theory "The Love Car Displacement" Reaction


Earlier this year, both Melissa Rauch (Bernadette) and Mayim Bialik (Amy) were made official cast members on "The Big Bang Theory," rather than recurring characters, and "The Love Car Displacement" was probably the first episode that took full advantage of the complete seven-member cast, making for one of the funniest episodes this year.

From the beginning, you know there was no way that a road trip involving everyone was going to end in anything but abject failure, but watching the group fall apart piece by piece was hilarious. I liked that while Sheldon's overbearingness was still there as a character trait, it wasn't the primary reason for the tension -- since Sheldon's been cast in that role way too often this season -- but instead it all started with guest star Rick Fox, who played an ex-boyfriend of Bernadette.

Howard's reaction to meeting Glen was expected, inappropriate, exaggerated and altogether outstanding, and set off a chain reaction of hotel-room swapping and group destruction, leading to a complete breakdown at the presentation the next day. The whole presentation scene was great, but for me, the funniest moment was this little bit between Leonard, Penny and Glen (the latter two being off-screen).



I've been pretty disappointed with some recent episodes of "The Big Bang Theory", but this one was great, and probably my favorite of the season.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Thursday, January 20, 2011

Charmed Comic Review, Issue #5: Unnatural Resources

Technically the fifth issue of the ongoing "Charmed" series -- "Unnatural Resources" -- was delayed by two weeks from its original ship date, but it arrives just over one month after the previous issue, so it's right on what would be considered a normal comic schedule. As for the issue, and what The Charmed Ones are going to do about The Source, let's get right to it.

RECAP


The Charmed Ones and significant others have fled to Magic School to figure out how to battle The Source. Piper, as always, has the answer: rather than just calling on the power of the Warren line, they'll use the power of "all white magic practitioners in the realm." Meanwhile the Source is attacking, trying to break through the magical barrier.

Luckily for The Charmed Ones, the demons who were at magic school before left a Phosphorus Cauldron behind, which is just what they need to contain all forms of magic, so Piper sends Paige off with the bowl.

Back in the underworld, Neena is mixing up something in a cauldron of her own, while telling Hogan to be patient and being cryptic about not being trustworthy.

At Magic School, Piper directs Phoebe to go through the Book of Shadows to take something from every spell, while Leo explains that Piper's molecular manipulation power (used to melt the street in Issue #4) won't work on The Source's golem form. Piper and Coop travel back to the attic, where Piper opens up about her history with The Source (and Prue) and retrieves Excalibur, while Paige continues her magical collections, including a visit to Billie -- who is told to just maintain her normal life and keep an eye on Darryl and family.

Phoebe continues working on the spell, while Leo fills in Henry on the situation with The Source. Piper returns, and tells Leo to take the kids back to the manor, as Phoebe finishes her version of the perfect spell. And Piper agrees it's perfect, leading back to the underworld, where Hogan and Neena are still bickering, while Neena perfects her potion.

In Magic School, the Charmed Ones and their husbands part ways, sending everyone away just in time, as The Source breaks in. A battle ensues, with Phoebe using a potion, Piper stabbing The Source with Excalibur and Paige tossing a bottle with the collected magic. With the spell -- "The Power of Three we now decree! The Power of Three will set you free! The Power of Three will DESTROY thee!" -- The Source gets exploded.

But... at the same time, in the underworld, Neena is casting a spell that unites the demons, vampires, darklighters, etc., to serve her needs, then appears to kill Hogan and says something cryptic about her origins (all along, everyone's assumed she's some kind of female warlock, but apparently that's not the case).

With The Source apparently vanquished, the Charmed Ones have returned to San Francisco, where Piper is showing off the new space for her restaurant. Grams drops in for a visit, and there are some cute little moments with the kids. As Piper, Phoebe, Paige and Grams walk off, Melinda orbs a teddy bear off a table and into her hands.

REVIEW:

Modern Family "Caught in the Act" Reaction


It's such a subtle thing, but I love how the title of this week's "Modern Family" episode, "Caught in the Act," is designed to make reference to the heavily promoted Phil/Claire and kids story, but also sums up the other two stories perfectly as well.

That primary story -- where Phil and Claire's kids walk in on them having sex -- was the heavily promoted one and I thought it really gave the Dunphy kids a chance to shine. Sarah Hyland had one of her best episodes, and I loved the little things, like having the cup of coffee at the gas station and almost imperceptibly acting like a mother to the group.

The Mitchell and Cam story was another chance for the two of them to shine alongside a guest star. This week it was Rachael Harris, playing the divorced mother of one of Lily's classmates and the owner of a hot new restaurant where Mitchell and Cam wanted to get reservations. Harris played pretty much her standard character, but it worked, especially playing off Mitchell and Cam.

But once again, Sofia Vergara stole the episode. In the opening scene, she wanted to find a tactful way to tell Claire that she wasn't going to be able to help with the school bake sale. Jay offered to help, but as a joke, he typed out her mean words directly, and Gloria accidentally sent the e-mail. Jay and Gloria tried calling Claire to apologize, but they got caught in the aftermath of the sex incident, so Gloria made them go over there in person, leading to this incredibly awkward but hilarious exchange between Gloria, Claire and Phil.



Phil's "I may pass out" is just priceless. And later, when Gloria needs to get into Claire's e-mail (to delete the offending message) and makes up the excuse that she accidentally sent Claire nude photos of herself? That was beyond phenomenal. The whole story between Jay, Gloria, Phil and Claire might be the second-funniest thing I've seen on TV this season (I'm not sure anything will top Liz Lemon shotgunning a pizza. Again, that almost killed me).

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Better With You "Better With a Cat" Reaction


Because it focuses on the lives of three connected families and because it serves as the show's lead-in, "Better With You" is always going to be compared to "Modern Family." But that's an unfair comparison, because "Better With You" is a traditional multi-camera sitcom that doesn't try to push the envelope like "Modern Family." And while I don't think the show, in its current format, is ever going to be quite as funny as "Modern Family", it continues to shine in its own way.

Wednesday's episode, "Better With a Cat", featured Mia and Casey coming back from a doctor's appointment talking about all the things they had to do, and everyone mis-interpreting that conversation. Maddie thought Mia wanted she and Ben to take a CPR class. Vicky thought Mia wanted she and Joel to adopt their cat. And then Mia took their actions to mean that everyone thought she and Casey would not be good parents.

On its own, the madcap miscommunications wouldn't have made for a strong episode, but they were all wrapped around sharp punchlines, particularly those delivered by JoAnna Garcia. When Casey asked Mia if her family would be mad when they found out they weren't really the guardians of Mia and Casey's baby, her response was "I dunno... maybe. But who cares? We'll be dead." Simple, straighforward, sharp and laugh out loud funny.

The episode also featured flashbacks to some particularly bad moments of parenting from Mia's childhood, inserted into the episode "Family Guy"-style, and those were pretty good as well. This show continues to get better week after week, even if it's not quite a classic just yet.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Anne Hathaway is a Good Choice for Catwoman...

... but a GREAT choice for Selina Kyle. At least, that was my initial reaction upon hearing yesterday's news that Hathaway had been confirmed as Kyle/Catwoman for 2012's "The Dark Knight Rises."

There are many people out there who still think of Hathaway as the real-life Disney princess from "The Princess Diaries" and "Ella Enchanted", but she's shown in recent years that she's grown beyond that image. She took a dark turn in "Rachel Getting Married" (an incredible, but uncomfortable, performance) and went very risque in "Love and Other Drugs". I think she can draw from both types of roles to be the perfect Selina Kyle -- Catwoman's mild-mannered alter-ego, so to speak -- but it remains to be seen if she can bring the right element of danger to the costumed role. At the least, she's got the body for it.

Then again, the release from Warner Bros. specifically mentions Hathaway playing Kyle, without ever mentioning the name Catwoman. It's possible, given the M.O. of Nolan's "Batman" movies, that the character would spend most of the movie in a non-costumed form, not donning her familiar persona until late in the film (a la Ducard/Ra's in "Batman Begins" and Harvey Dent/Two Face in "The Dark Knight). The same press release did also confirm that Tom Hardy -- who'd previously been attached to the movie, but hadn't been given a role -- will play Bane.

If Bane is done right -- that is, NOT turned into a mute or near-mute hulking idiot behemoth -- than he would be an incredible villain for this final movie, moreso than Catwoman, who has spent so much recent time in the Batman universe skirting the line between hero and villain that it's hard to really call her the latter anymore. Still, the idea of Hathaway slinking around Nolan's Gotham in a skin-tight catsuit... well, that's just awesome.

Wednesday, January 19, 2011

Buffy 30th Birthday Giveaway

According to the character history in "Buffy the Vampire Slayer", today -- January 19, 2011 -- is Buffy Anne Summers' 30th birthday. Born on Jan. 19, 1981, Buffy died in 1997 and again in 2001, but has managed to become probably the longest-lived Slayer in the history of the universe.

(Of course, in-universe, Buffy's actual age is probably something slightly different, since the Season 8 comics actually take place around 2004-05, and I'm not sure you can count the three months she was dead in 2001 toward her age, so there's always that. Still, happy 30th Buffy!

I already celebrated Buffy's birthday in my own way by buying the Season 8 finale comic, and I'm getting ready to do a little marathon of episodes (which means, for my regular readers, that my "Better With You" and "Modern Family" reviews for this week will be late). But I wanted to share my Buffy Birthday Bliss with you, my faithful readers -- or my readers who stumbled across this post through a random Google search -- so I've decided to do a "Buffy" giveaway.

I got a whole bunch of extra Buffy related stuff at New England Comic Con last year, and I'm saving some of it for a future endeavor, but for today, Buffy's birthday, I'm going to give away a set of "Buffy the Vampire Slayer" Season 8 comics. The set includes issues #1-20, giving you (assuming you win) a nice jumping off point for the series. And, as a bonus, Issue #1 -- a second printing, but still the first issue -- is signed by cover artist Jo Chen.

Desktop Girl of the Week: Izabella Miko


I was watching this week's episode of "The Cape", and about halfway through, I just couldn't bring myself to care what was happening in the episode. Then they cut to another scene at the Carnival of Crime (man, does that sound SO stupid), and Izabella Miko appeared on screen.

So far, her character hasn't had much to do on the show but sit there and look pretty (and motivate Summer Glau to get into a leotard, which is so much better than anything anyone else has done on the show), and she's done that exquisitely. But there's something about her wide eyes that convey depth without her having to say anything. Seriously, it's not just the makeup in that picture above -- she really does have great eyes.

Miko is probably best known for her role as Cammie in the "chick-flick-masked-as-a-guy-movie" "Coyote Ugly". I was shocked to realize upon doing some research for this entry that "Coyote Ugly" came out almost 11 years ago. That makes me feel ridiculously old, especially because Miko barely looks like she's aged.

Like her "Cape" co-star Glau, Miko has classic ballet training, which has already been used on the show and hopefully will come into play as we learn more about her character, like how the writers of "Firefly" weaved Glau's dance background into her character. Then again, I'd settle for just getting more of her, and less boring talk about the mystical cape itself.


As always with DGOW, I’ll provide a widescreen (1680x1050) image for downloading. If you want to see past DGOW, then just check the archive album.

Review: Buffy Season 8 #40 - "Last Gleaming, Part 5"

"The thing about changing the world... once you do it, the world's all different." With those words on March 14, 2007, Buffy Summers was re-introduced to the world. And here, nearly four years later, Buffy temporarily leaves the world again, as Season 8 of the "Buffy the Vampire Slayer" comic comes to a close. But how does this issue, "Last Gleaming, Part 5," hold up as both a conclusion to the Last Gleaming arc and the season as a whole?

COVER TWO

The Jo Chen cover is an obvious callout to her first cover from the series. On that cover, a confident, smiling Buffy held the Slayer's Scythe behind her neck, ready to swing it into action at a moment's notice. On this one, a battered, beaten-down Buffy holds the remaining pieces of the Scythe together, with a look on her face that evokes self-doubt. Both images are beautiful, but I think this cover is even better than the first one, because of the emotion it conveys.

Georges Jeanty's alternate cover features most of the key characters of the arc -- the core four Scoobies, Dawn, Angel and Faith. It's a nice look at his likenesses for the characters, and a final look at Giles, and a solid cover, but it definitely pales in comparison to the Chen cover (sorry Georges!).

RECAP

(rather than just review the writing and the art, I thought I'd do something different for this issue... but first, let's go over what happened in this issue). 

Part 5 picks up four months or so after Part 4, rather than immediately after, with Buffy working as a waitress at a coffee shop in San Francisco. She's carrying a tray of drinks when she's tripped by an unknown person, but her slayer skills help her from spilling the drinks. She IDs the tripper as a slayer, then talks with Kennedy, whose been dumped by Willow (though at first Buffy thinks its Kennedy who did the dumping).

Buffy and Willow have a conversation about the aftermath of Buffy's lastest act -- which Buffy almost calls a "mistake" before catching herself -- and Willow says that the world's lost its heart, which isn't worse than being destroyed yet, but it will be. Willow alludes to missing Aluwyn, who she'll never see again. Cut to...

Buffy having a nightmare about Angel killing Giles. Dawn wakes her up and we see Buffy is living with Dawn and Xander. Xander heads out to work, and Buffy and Dawn have a nice sisterly conversation about how things are different since Buffy destroyed the seed (though they never directly refer to that act). We learn that the world doesn't care as much about slayers, vampires are still big, and Harmony is on "Dancing With the Stars" (hah!).

Back in.. somewhere, our least-favorite general is complaining about the government's perception of the aftermath of all this. He thinks the war is over, and they've won, when he gets popped in the head by Simone (the rogue slayer from "Predators and Prey").

Meanwhile, Faith and Buffy are at the reading of Giles's will, and it turns out Giles has left pretty much everything to Faith, who's "just as freaked as [Buffy]" by that decision. Giles did leave something to Buffy, the Vampyr book from "Welcome to the Hellmouth", which Faith takes as a sign that Giles saw Buffy as the one true Slayer. Buffy and Faith part, with Faith serving as caretaker to an apparently catatonic Angel, since "[Buffy] can't look at him" and "Everyone else wants his head on a pike."

V "Laid Bare" Reaction


The most popular sports movies generally feature a scrappy underdog rising up against unbeatable odds to do the impossible. It happens time and time again, and we eat it up. But sports movies are generally only 90 minutes to two hours long. They didn't do a series of movies on Rocky's shitty boxing career prior to facing Apollo Creed, because no one wanted to watch Rocky get his ass kicked both in and out of the ring week after week.

Well, "V" is turning into the science fiction version of exactly that. This week's episode, "Laid Bare", once again featured our small group of Fifth Column anti-V "terrorists" making the smallest bit of progress, while the Visitors made so much more. Erica and her merry band of misfits captured Erica's partner, a V posing as a human, and managed to get enough information from her to save one girl who'd run away from home.  Meanwhile, that girl was just a single person among dozens rounded up by one of the Vs, as part of Anna's ongoing plot to find and eliminate the human soul -- a plot that involves the deaths of hundreds of thousands of humans in the name of V research.

The scorecard on that one is so lopsided that if it were a football game, the Vs would have put in their backups in the second quarter, and by the end they'd just be taking knees to avoid further embarrassment to the human race.

Chuck "Chuck Versus the Balcony" Reaction


Monday's episode "Chuck Versus the Balcony", was the first new episode in more than a month, and, just laying it right out there, it felt like a letdown. While the mission was about recovering a stolen nanochip from a chateau in France, that was just window dressing for the "sub-mission" (as Morgan kept annoyingly referring to it) of Chuck proposing to Sarah.

The whole episode, with the proposals getting interrupted, Morgan geeking out on the CIA's equipment, Casey being Casey -- even the Buy More subplot with Lester's so-called arranged marriage and screwing it up with a Jeffster performance -- all just felt so predictable. For an episode centered around such an important moment in Chuck and Sarah's relationship, it seemed like it was written mad-libs style.

There were two big things about the episode that bothered me, outside from the tedium of it all. First, when General Beckman introduced this week's mission, she made a point of saying that not everything was tied to Volkoff. But then the twist at the end of the episode -- the last predictable moment, right down to Chuck's proposal getting interrupted AGAIN -- made everything about Volkoff again. You can't have it both ways. It's like when "Alias" tried to go standalone at the beginning of Season 4, then decided that didn't work and made everything about Rambaldi again. The show lost so much steam then, and I feel like "Chuck" is losing steam with this Volkoff plot hanging over everything.

That ties into my second issue. After one of the failed proposals, Chuck said something about wanting the moment to be like James Bond, and Sarah responded by saying "I didn't fall in love with James Bond; I fell in love with you." There's just one problem with that: the Chuck we see on the show these days is a lot closer to James Bond than the Chuck she fell in love with. Rather than being a normal guy thrust into spy life through an accident, he's a spy who maintains something of a normal life -- though less and less -- solely as a cover. The more we learn about Chuck's familial backstory, the more we realize it was no accident that he ended up with the intersect in the first place.

One of my favorite moments from the entire run of "Chuck" came back in Season 1. After a particularly trying day of being a spy/The Intersect, he went back to the Buy More, after hours, and spent all night repairing computers. Not because he had, or even because he liked it, but because it was something he was good at and he wanted to feel like he'd accomplished something. As a viewer, THAT was the Chuck I fell in love with, and episodes like these make it seem like that Chuck is pretty close to being gone.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Tuesday, January 18, 2011

How I Met Your Mother "Last Words" Reaction


After the death of Marshall's father at the end of the previous episode of "How I Met Your Mother," I was wondering if the show would be able to make this week's episode, "Last Words," funny without it feeling totally insensitive, or if -- going in the other direction -- it would be too emotional and not funny enough for a sitcom. When I saw the promos for the episode, I was definitely worried about the former, but as it turns out, "Last Words" had a nice balance between being funny and sentimental.

The episode, centered around the funeral for Marshall's father and what may or may not have been the last words his father ever said to Marshall, was at its funniest when it let the humor flow naturally, rather than trying to force it. The stories with Lily "helping" by angering Marshall's mom, and Ted and Barney trying to get Marshall to laugh, weren't particularly great. The little moments in the back half of the episode were much better.

The episode came to a head when Marshall finally made the choice to listen to the voicemail his dad had left him before dying, and at first it turned out to be a pocket dial. As the scene went on, it became very obvious where it was going, but it was still touching when it happened. Jason Segel really sold the whole thing well, in what was probably his strongest moment in the show's six-year run.

Lastly, I'd be remiss as a "Buffy" fan if I didn't mention the on-screen reunion between Willow (Alyson Hannigan) and Jonathan (Danny Strong). Strong played the son of the reverend who was supposed to preside over the funeral, a son who'd also been a bully to Marshall when the two of them were in high school. The idea of the 5-foot-2 Strong bullying the 6-foot-4 Segel was hilarious, but the storyline disappointingly didn't really go anywhere. Still, it's yet another Whedon-verse reunion from a show that's given us plenty of them throughout the years.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

This Week in Buffy History: January 18-24

January 18
1955 - Ken Lerner born (played Principal Flutie in Season 1)
1962 - Jeff Yagher born (played the Leader of the Fell Brethren in Angel Episode 5.19)
2000 - Episode 4.11 “Doomed” airs on The WB
2000 - Angel Episode 1.11 “Somnambulist” airs on The WB

January 19
1998 - Episode 2.13 “Surprise” airs on The WB
1999 - Episode 3.12 “Helpless” airs on The WB

January 20
1998 - Episode 2.14 “Innocence” airs on The WB

January 21
2002 - Angel Episode 3.12 “Provider” airs on The WB
2003 - Episode 7.12 “Potential” airs on UPN
2004 - Angel Episode 5.10 “Soul Purpose” airs on The WB

January 22
2003 - Angel Episode 4.09 “Long Day’s Journey” airs on The WB

January 23
2001 - Episode 5.12 “Checkpoint” airs on The WB
2001 - Angel Episode 2.12 “Blood Money” airs on The WB

January 24
1969 - Stephanie Romanov born (played Lilah Morgan on “Angel”)

Monday, January 17, 2011

Jersey Monday: Plaxico Burress

This weekend, the Patriots suffered an embarrassing end to what had been a spectacular regular season, while the Steelers won, advancing in the playoffs. Which of the jerseys in my vast collection could possibly capture both of those AFC playoff moments?

Come on down, Plaxico Burress! Not literally, of course, since you're still in jail, but in jersey form.

Most people remember Burress as a Giant (or a self-shooter), because of his game-winning touchdown against the Patriots in Super Bowl XLII, but he started his career with the Steelers. I got this jersey in Pittsburgh the day before a Ravens-Steelers game, though one that didn't go quite as well as Saturday's (it was a 16-0 shutout win for the Ravens in the final season opener at Three Rivers Stadium).

Burress was a rookie that season, and had worn #88 all through training camp and the preseason. But just before the regular season, Burress gave the number back to veteran WR Courtney Hawkins, who'd re-signed with the team back in July, which meant that this jersey was out-of-date within 24 hours of my purchase.

Despite the dated-ness of it, I still wore this jersey enough to wear out the numbers on the front, though somehow the numbers on the back still look as fresh as the day I bought the jersey.

Jersey Monday will continue every Monday until I run out of jerseys to spotlight. And since I’ve got more than 150 of them, that could be awhile.

Desperate Housewives "I'm Still Here" Reaction


It's weird to see which storylines "Desperate Housewives" chooses to drag out, and which ones it resolves quickly, because sometimes -- particularly this season -- the choices don't always make sense.

For example, the Lynette-Tom cheating issue seems to have been entirely resolved, to the point that Lynette got a completely unrelated story in this week's episode, "I'm Still Here", involving her mother and a future husband who Lynette couldn't stand. But while Lynette and Tom seem to have chosen to ignore what was a major issue just a couple weeks ago, Renee's drama with Tom has morphed into some kind of remorse over never having a child. Yeah, trust me, it made even less sense playing out on screen.

Speaking of child stories that make no sense, Gaby's descent into madness over her loss of Grace continues to be one of the least-appealing stories the show's ever done. It's gone beyond funny-creepy to just straight-up creepy. If it doesn't end up with Gaby in a straightjacket, then what's the point? The Grace story was dramatic enough without adding this unnecessary layer of melodrama on top of it. But, then again, what is "Desperate Housewives" if not a show about unnecessary melodrama?

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Saturday, January 15, 2011

Getting Sick of the "Buffy" Reboot Trashing


I've been against the idea of a Joss Whedon-less "Buffy the Vampire Slayer" reboot from the beginning. Hell, I'm not even sure I'd be for a Joss-helmed "Buffy" reboot, since I don't believe "Buffy" needs to be rebooted. I expressed my feelings on the whole thing back in November, and left it alone, mostly because I've kind of hoped the whole thing would quietly go away.

Instead, something else entirely has happened. While the creators of the movie, including Warner Bros. and writer Whit Anderson, have remained mostly silent on the project -- which isn't completely written yet and isn't scheduled to be released until an undetermined date in 2012 -- it seems the media has decided to get EVERY SINGLE PERSON EVER affiliated with the original "Buffy the Vampire Slayer" TV series to express their negative feelings about the movie.

Let's run them down:

- Anthony Head (Giles): "It's appalling. Absolutely appalling."
- Alyson Hannigan (Willow): "I would crap on that. Joss was Buffy."
- Nicholas Brendon (Xander): "I think it's a mistake."
- Charisma Carpenter (Cordelia): "Stupid. No Joss? A real head scratcher."
- David Boreanaz (Angel): http://www.twitpic.com/39av51
- Seth Green (Oz): "The fact that people who are not connected to it and were not connected to the show or any of the mythology that was created going back to the movie ... I think that really confuses people."

OK, look, we get it. No one likes this idea. We knew that when the movie was announced in November. Nothing's changed since then. But every time a cast member is asked about it -- and understand that they're only expressing their opinions in response to media or fan questions; no one has just come out unprovoked and trashed this idea -- it gets reported on by the entertainment media and throughout fandom like it's news.

Well, newsflash: it's not. OF COURSE those involved with the original project don't like the idea of a reboot, because the goal of any reboot or remake is to make people accept the new material over the original. In fact, "Buffy" has its own history with this, as the show was in its own way a reboot of the movie, ignoring the changes that were made to the final film and continuing the story from the end of Whedon's original screenplay.

Interestingly, Kristy Swanson -- who played Buffy in the original movie, but was ignored and surpassed by the TV series -- has expressed interest in playing a role in the reboot. Obviously, because of Whedon's reduced role in making the original movie happen, Swanson doesn't feel the need to express the "Joss IS Buffy" feelings that everyone else has been parrotting, but I think she also sees an opportunity to shine light on her original work by being involved in the remake. The stars of the "Buffy" TV series don't see that same opportunity, because their work has yet to be overshadowed.

Personally, I haven't changed my opinion of the project, but maybe I'm starting to be part of the "backlash to the backlash" movement. How about we just let the movie start to be made -- or quietly cancelled -- before we bury it, OK?

Friday, January 14, 2011

LeBron James Highlight Video - Runaway

Last night, the Heat played their 41st game of the season -- though LeBron James did not play -- reaching the midpoint of the 2010-11 regular season.

Last year, when the Cavs hit this point in the season, I put together a LeBron first half highlights video (though I was late on the true halfway point by a few games). I put together another one at the end of the regular season, but I didn't do one for the playoffs -- for obvious reasons -- and I wasn't sure I was going to do one at all this season.

Then, a few weeks ago, inspiration hit, and I realized there was a perfect song out there for the video. I started putting all the clips together a few days ago, and the end result is this:

Thursday, January 13, 2011

Modern Family "Our Children, Ourselves" Reaction


If you watch "Modern Family" regularly, at some point you've probably found yourself trying to describe what makes the show so funny to someone that's never seen it, and struggled to do so. Wednesday's episode, "Our Children, Ourselves," was a perfect example of that. At its core, it was an episode focused on three uncomfortably awkward encounters -- Mitchell and Cam with Mitch's high school girlfriend, Phil and Claire with the parents of the one kid in school that got better grades than Alex, and Jay and Gloria with a couple that Jay found boring -- but every single thing about the episode clicked.

The Mitchell-Cam-Tracy story was the one that was played up in the promos, thanks in part to guest star Mary Lynn Rajskub, but I thought both the Jay-Gloria and Phil-Claire stories were better. The scene where Alex subtly called Phil and Claire stupid, and it took them minutes to figure it out -- which itself contributed to their feelings of stupidity -- was ridiculously funny without being over-the-top obvious.

Now that I think about it, that's probably the best way to describe both this episode and the show as a whole. It's a kind of subtle humor that has the magical ability to make you laugh out loud. Even when they do something slapstick, like Jay drinking from the rigged dribble cup after Gloria had told the friends he was losing his mind, it  doesn't play as cheap. And that ability to play that line is what makes "Modern Family" week-in and week-out one of the best comedies on television.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

V "Serpent's Tooth" Reaction


Part of me wonders if "V" is co-produced by Paula Abdul and MC Skat Kat because for every two steps it takes forward, it also takes two steps back (yes, I know that's a dated reference, but the original "V", "Opposites Attract" and I are all children of the '80s, so deal with it).

For this week's episode, "Serpent's Tooth", I'll start with the two steps back and keep it short, because rather than continue to harp on the negative I want to focus on the positive. First, the whole story about the nature of the soul and that being what makes us human was an unnecessary leap into the deep end, and just felt awkward the whole time. I'm not sure a show about lizard-human hybrid aliens needs to muddle things up with more religious themes, especially after the backlash to the end of "Battlestar Galactica." Also, I thought given the importance placed on the relationship between Anna and Diana, there wasn't enough Anna-Lisa interaction, which would have made for a nice generational continuum.

OK, now for the good things, because there were two major developments in this episode that give me hope for the future of the series, even if this week continued to move at the slow-burn pace this show has fallen in love with.

Jane Badler's appearance as Diana, Anna's mother, is a Godsend for this show. In her first scene this week, she revealed more about the V's backstory, endgame, and reason why they haven't wiped out the humans than the previous 13 episodes combined. She had an amazing screen presence and because of her ties with human emotion, I can see her eventually bonding with Lisa and rebelling against Anna. Part of me wishes they'd brought her in sooner, but I'm not sure having her show up in the 4th or 5th episode of last year would have had the same impact.

The other big development this week was the introduction of a second anti-V terrorist group calling themselves Fifth Column, which addresses one of my biggest complaints of the show to this point. Through the first 13 episodes, it seemed like Erica Evans and her merry group of dissenters were the only people skeptical about the V's motivations, even after Red Sky. But it seems like that's no longer the case, and this Fifth Column group is even more hardcore than Erica's (which, admittedly, isn't hard). If this leads to more action and less talk in the show, that's a decidedly good thing.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Wednesday, January 12, 2011

Desktop Girl of the Week: Andrea Anders


I was watching TV today and saw a promo for the upcoming Matthew Perry show "Mr. Sunshine." I was about to fast forward it when I yelled out at the screen, "it's Linda!". Well, it wasn't "Linda" per se, but actress Andrea Anders, who'll appear with Perry in the show and most recently appeared on ABC's unfairly cancelled sitcom "Better Off Ted."

The 35-year-old Anders -- who, incidentally looks incredible, even more so for her age, which I would have pegged as late 20s before looking it up -- has been acting since 2001. She's appeared mostly in sitcoms, with something of an unlikely track record. After a recurring role in the final season of "Oz", she was cast in "Joey", NBC's "Friends" spinoff. That only lasted two seasons. From there, she bounced to "The Class", which was cancelled after 19 episodes, then the aforementioned "Better Off Ted", which really deserved more than the 26 episodes it got.

Looking at that track record, it'd be easy to think that Anders is the problem -- sort of a Ted McGinley-esque jinx -- but I really like her acting, particularly on "Better Off Ted." I just think she's ended up with bad projects, and I'm not sure "Mr. Sunshine" is going to be any different. But if it doesn't work out, maybe a few years she'll do a sitcom with David Schwimmer to complete the "Friends" trifecta.

As always with DGOW, I’ll provide a widescreen (1680x1050) image for downloading. If you want to see past DGOW, then just check the archive album.

No Ordinary Family "No Ordinary Brother" Reaction


While "No Ordinary Family" is far from the strongest show on television today, Tuesday's episode, "No Ordinary Brother", showed again why Michael Chiklis is considered such a good actor.

The episode centered around the sudden arrival of Jim's brother Mike, who it turned out owed $150,000 to a loan shark. They had the typical big brother-little brother relationship, where Jim was always the responsible one and Mike was the screwup. "NOF" wasn't breaking any ground with the story, but Chicklis did so well that it didn't matter. He's the straw that stirs the drink on this show, and he's doing a great job making it watchable.

There were two other developments I liked this week:

- the addition of Rebecca Mader to the cast, as a shapeshifter who is also the VP of the company where Stephanie works. The character was introduced as a superior of evil Dr. King, but at the end it appeared more like she was working for him, as part of his evil plot of evil (they're really trying hard to push the "Dr. King is evil" agenda). I don't know whether Mader's character was always evil, or replaced by an evil shapeshifter, but that really doesn't matter at this point. She's another evil character, and more importantly Mader is back on my TV after mostly disappearing from the last couple seasons of "Lost."

- Jimmy's magical super-intelligence powers NOT working as planned, when he and Jim were trying to bet on horse races to raise money to pay off Mike's debt. Jimmy used his super brain to predict how the races would turn out. When Jimmy's brain turned out a 12-1 long shot in the second-to-last race, they let all their winnings ride. Only the long shot broke down in the race, and Jimmy freaked out, saying "I can't factor an injury". The first time they showed a horse-racing scene I was all ready to criticize the writers for reducing horse racing to a "formula", but then they showed exactly why it CAN'T be reduced to a formula. They've still got a long way to go to make up for the football debacle from earlier this season, but this is a start.

Lastly, the secondary story between Stephanie and Katie was relatively weak, but it gave them a reason to introduce Mader and immediately gave her something to do, so I'll let it slide. Plus, Autumn Reeser continues to be given at least one incredibly dorky thing to say each week (this week it was a Tony Stark/Iron Man reference), so she'll always get a pass in my book. I just wish they hadn't resolved the journal cliffhanger as quickly and as neatly as they did with the erased memory cliffhanger. It's getting to be a tease.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Snowpocalypse 2011 in Pictures

Well, sort of... because the roads are pretty much closed around here, I can't get out of my parking lot. That's probably for the best.

But still, Connecticut -- and much of the eastern half of the country -- got dumped on with End Times levels of snow today. I went out at noon to move my car so the snow plow company could plow my part of the lot, and the snow was waist high. And it's still snowing.

The picture above is the first one I took this morning, around 9 a.m., when I realized there was no way I was going in to work. Those two little black things sticking out to the right of that parking sign are the only evidence that my car still exists. And when I went out at noon to clean it off, it had gotten much worse.

Castle "Poof! You're Dead" Reaction


Monday's episode of "Castle", "Poof! You're Dead", featured another of the show's typically atypical cases. A body of a magic shop owner is found dead at his shop with a suspicious suicide note. As Beckett and Castle investigate the case, their leads take many twists and turns, and eventually they discover the murder victim was part of a billionaire's plot to fake his own death, then was killed by the billionaire to clean up his tracks.

Even by the loose standards set on "Castle", this case seemed more unbelievable than most, and the personal stories going on this week -- Castle avoiding, then breaking up with, Gina, and Esposito and Lanie hiding their budding romance from the rest of the gang -- weren't strong enough to distract from the absurdity of the plot. When Beckett coerced a confession from the killer using the victim's twin brother made up like a ghost, a technique that if discovered would immediately get the case thrown out in court, it was the absurd cherry on top of an already-ridiculous sundae.

The Lanie-Esposito romance is a nice addition for those two characters, who have rarely been given more to do that what their jobs require of them, but it came entirely out of nowhere. Then, at the end, Castle, Beckett and Ryan revealed (to each other, not to Esposito or Lanie) that they've known all along, despite the horrid efforts of the couple to keep it a secret. So what was the point of building up all the secret-keeping? To set up a single lame joke?

At least the Castle-Gina storyline had some promising developments, because now that they're officially broken up -- and broken up because Castle realized he no longer has feelings for her -- it paves the way for Castle to get with Beckett. Now there's just pesky Dr. Motorcycle Boy (Castle's name, not mine) to deal with.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

LeBron James: The Villain Evolution Continues


In old western movies -- the kind before Sergio Leone and Clint Eastwood revolutionized the genre -- the good guys wore white hats and the bad guys wore black. So maybe it's fitting that the Miami Heat are draped in black from heat to toe, because they are becoming a true villain in the NBA, led by LeBron James.

Last night, as the Cleveland Cavaliers -- James's old team -- were losing to the Lakers in both record and embarrassing fashion, James took to Twitter decided it was the appropriate time to twist the knife:


Crazy. Karma is a b****.. Gets you every time. Its not good to wish bad on anybody. God sees everything!less than a minute ago via ÜberTwitter


Now, if you know the history of what's gone down since "The Decision", it's most likely that James's words were directed entirely at Cavaliers owner Dan Gilbert, who famously wrote a long and vitriolic anti-LeBron screed the night of July 8th. But still, the words seemed less those of someone who wanted to move past this summer, and more the words of someone who is feeding off the hate.

Now, during LeBron's Cavaliers career, there were some moments where you could see him channelling "hate" into better play, most famously in the "it's your fault" game against Chris Bosh and his girlfriend in Toronto. But this year is the first time in his career, and really his life, that LeBron has been consistently cast as the villain. Prior to his visit to Cleveland, James seemed uncomfortable in the role, and it showed in his on-court demeanor. But there is no doubt that something changed in that game.

I can't get inside LeBron's head -- I'm not sure anyone can -- but I get the sense that he went into that Cleveland game thinking he could somehow still win the crowd back. Maybe not that night, but eventually, over time, they'd come to love him again. But anyone who watched that game, with that crowd, knows that's not the case, and LeBron figured it out that night too. He realized that now, in this new reality, there will always be people who hold "The Decision" against him, and hate him because of it, so he embraced the hate.

Since that game, the Heat have lost just once and are winning in dominating fashion, with James playing his best basketball of the season. He's been jawing with courtside fans on the road, and in Portland on Sunday, he slapped his own ass after making a three, then took a detour to the Heat huddle before a timeout, taking time to give the fans an up-close glimpse of the King and conquerer.

In James's Nike commercial before the season, he asked "Should I accept my role, as a villain?" while wearing a cowboy outfit. But James had the wrong movie. He didn't need to look to the old west for villainous inspiration, when it was right there in Miami, in the form of "Scarface."

You need people like me. You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." So... what that make you? Good? You're not good. You just know how to hide, how to lie. Me, I don't have that problem. Me, I always tell the truth.

That's LeBron, right there. Telling the truth, being pointed at as the bad guy, and just doing his thing. And over the last month, he's embraced it; he loves it. And I love him for it. He didn't set out to do it, but in embracing the villain role, James is making the NBA more interesting. Without his tweet last night, Lakers-Cavs is just a depressing blowout. Now it's a flashpoint for every sports talk show, every blog (yes, even this one) and every NBA writer in every city, whether they cover the Heat, Cavs, Lakers or none of them.

Will it translate to a championship for the Heat? I don't know. No one will know until June. But for now, it's sure fun to see LeBron doing this.

Tuesday, January 11, 2011

Review: Britney Spears - "Hold it Against Me"

At midnight Tuesday morning, Britney Spears officially released her first single off her next studio album. The song, "Hold it Against Me", is Spears's first new song since 2009's "3", and sets the tone for what the album will likely sound like.

My first impression of the song is definitely a positive one. The Dr. Luke/Max Martin-produced beat has a dance/industrial feel with a lighter, almost trance-like chorus backing. Britney's vocals have never been the strongest aspect of her music, but they lift up the song, particularly in the chorus, rather than hold it back. The over-autotuned bridge was something of a staple of the "Circus" album, and I could have done without it here, but it's nothing big enough to hurt the song.

Lyrically, the song is suggestive, but nowhere near the overt sexuality of Britney's last single, "3". It's somewhere between the cheeky vulgarity of "If U Seek Amy" and the direct-but-safer "Toxic".

The finished product ends up sounding like something that's distinctly Britney, though a continued evolution of her overall sound. There's a natural progression to the tone of the songs from "Blackout" to "Circus" to this single, and the dance club sound is getting better with each effort. While I may have a built-in bias, I like it better than most of Katy Perry's most recent album, much of which was produced by the same team. I had been worried when Luke and Martin had suggested that Britney's next album would be more electronic and grittier, but if this is a sample of the end result, I'm very excited.

Hold It Against Me - Single - Britney Spears

This Week in Buffy History: Jan. 11-17

January 11
1972 - Marc Blucas born (played Riley Finn)

January 12
1998 - Episode 2.12 “Bad Eggs” airs on The WB
1999 - Episode 3.11 “Gingerbread” airs on The WB

January 13
2010 - Season 8, Issue 31, "Turbulence", released by Dark Horse Comics

January 14
2002 - Angel Episode 3.11 “Birthday” airs on The WB
2004 - Angel Episode 5.09 “Harm’s Way” airs on The WB

January 15
2003 - Angel Episode 4.08 “Habeas Corpses” airs on The WB

January 16
2001 - Angel Episode 2.11 “Redefinition” airs on The WB

Monday, January 10, 2011

Desperate Housewives "Where Do I Belong?" Reaction


Sunday's episode of "Desperate Housewives", "Where Do I Belong?" is the one I've been waiting for pretty much all season, not because of anything that happened with the housewives themselves, but because of the return of Zack Young.

When Paul Young made his return this season -- technically late last season -- it only seemed logical that his son would return eventually. The shooting of Paul served as the perfect opportunity to bring Zack back, even if he doesn't turn out to be the shooter (and I don't think he is). And while I'm not sure the show is going to benefit from adding another layer of confusion to the ongoing Paul Young/Felicia Tillman/Beth Tillman-Young mystery, it certainly has to be better than most of the other stuff that's going on.

Jersey Monday: Keyshawn Johnson

I was set on featuring a jersey from one of the four playoff winners in the NFL this weekend, but I realized Monday morning that I don't actually own a jersey of a current player on the Seahawks, Packers, Jets or Ravens.

So, instead, I'll go into my archives and show off my old Keyshawn Johnson Jets jersey, which at least matches their current jersey style. I bought this one back when I was in college, and it was easily the most polarizing jersey in my collection. Walking across campus wearing it, I was guaranteed to get comments from both Jets fans and non-Jets fans alike.

One of my favorite things about this jersey to this day is that it's a Starter jersey. Remember how cool anything Starter was back in the mid-'90s? That seems like forever ago. The company essentially folded in 1999, and the name was bought from Nike a few years back and now the once-loved Starter logo is slapped on some cheap-ass clothing at Walmart (endorsed by Tony Romo!).

Unlike many of my late '90s and early '00s jerseys, this one isn't in storage but instead is in my bedroom closet, waiting to be framed. Keyshawn signed it a few years back, and once I have a bigger place, I'll be able to give it an appropriate spot in a sports-themed man cave.

Jersey Monday will continue every Monday until I run out of jerseys to spotlight. And since I’ve got more than 150 of them, that could be awhile.

Sunday, January 09, 2011

The Cape "Pilot" and "Tarot" Reaction


I tuned into NBC's two-hour premiere of "The Cape" -- the Pilot episode and "Tarot", the second episode -- expecting something awful, but instead I was pleasantly surprised by the new superhero show that wears its silliness proudly on its sleeve.

"The Cape" is about Vince Faraday, a cop who is framed both for the murder of the chief of police and being the man behind the masked villain "Chess". Believed dead in an explosion, Faraday ends up with a group of circus freaks who are something of Robin Hood-esque bank robbers, looking to take down Peter Fleming (the real "Chess" and the Luthorian villain of the show), and they teach him how to become a superhero. Eventually, Faraday meets up with Orwell, a blogger who believed he was one of the few good cops in the city and also wants to take down Fleming, and she provides him some hero guidance too.

The two-hour premiere played out like a typical superhero origin story, with tragic deaths, unlikely mentors, obvious villains, a training montage, the creation of the costume... just everything. And while that could come off as a knock on some shows, I got the sense throughout the whole two hours that the cape was going through this step by step to show viewers just how much of a comic book show this was going to by.

While "The Cape" isn't specifically based on any pre-existing comic, you can point to any number of specific elements and connect them with their comic book origins. The main character is a bit of a poor man's Batman, which makes him something of an analog to Big Daddy from "Kick Ass". His carnival-based training seemed familiar, though I can't pinpoint it exactly. The costume creation scene came right out of every comic book movie ever made. The relationship with his family -- the wife still believes Faraday is dead, while the son thinks he's alive because The Cape told him so -- has similarities to Curt Connors when in his Lizard mode. Orwell is a barely renamed Oracle from the Batman universe, but she's played by the über-hot Summer Glau, so I'm not complaining. And I've already mentioned the similarities between Fleming and Lex Luthor, though there's also some Wilson Fisk there too.

I think the most enjoyable thing about the show as a whole is that it doesn't take itself too seriously. It's nowhere near as campy as the Adam West "Batman" series, but it's not trying to revolutionize TV/The World like "Heroes" was. The main character seems to be grounded in something resembling reality, but many of the characters around him -- particularly the Carnival crew and the villains -- are over the top in a fun way. Never was this more evident than in Keith David's Max, the leader of the carnival thieves, who fully threw himself into every scene he was in, having fun with every aspect of the role.

I'm not sure "The Cape" has anything more than niche appeal, and as long as NBC understands that, it'll be fine. Because it sticks so close to its comic book tropes, at least in the premiere, it's going to be hard for the show to achieve the kind of breakout success that "Heroes" achieved, but given what happened to "Heroes" beyond its first season, that may be a good thing. I'd rather have a fun, action-packed, kind-of-campy-but-kind-of-dark-too superhero show that appeals to a small audience than a muddled mess that tries to be everything to everyone.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Saturday, January 08, 2011

The Big Bang Theory "The Bus Pants Utilization" Reaction


Maybe it's because I just watched the first three seasons of "The Big Bang Theory" this summer, but this week's episode, "The Bus Pants Utilization", had a very familiar feel with it. The episode featured Leonard coming up with an idea for a some kind of advanced math app, and recruiting the rest of the gang to work on it. Only Sheldon kept trying to take over, leading to them kicking him out of the group. It was like the Physics Bowl from Season 1 ("The Bat Jar Conjecture") all over again.

The episode wasn't without its laughs (somehow, I still find fart app jokes funny, but that may just be me), but it just had me questioning how many times they can go back to the same well. We're into season 4, and it's well-established that Sheldon thinks of himself as superior to everyone else, and that leads to conflict in his friendship with Leonard, Raj and Howard. I just feel like there are too many episodes where that is the central storyline, and it comes across as lazy -- which is disappointing for a show that can be VERY creative at times.

I did find the Sheldon-Penny interactions in this episode to be pretty amusing, particularly in the post-credits pop, where the obsessive behavior dynamic between the two was flipped on its head. Also, Penny's idea for an app -- allowing you to take a picture of someone's shoes and find out what brand/style they were and how much they cost and where to buy them on the Internet -- seemed like a pretty good idea. I know more than a few people who would not only buy that, but use it constantly.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Thursday, January 06, 2011

Modern Family "Slow Down Your Neighbors" Reaction


I haven't had the time to go through every episode of "Modern Family", but to the best of my recollection, they've never had a bad guest star, and James Marsden did a fantastic job upholding that streak in Wednesday's episode, "Slow Down Your Neighbors", as Mitchell and Cam's new "neighbor."

I put "neighbor" in quotes, because while Marsden's Barry played himself off as living in the apartment above Mitchell and Cam, it turns out he was actually living in Lily's princess castle -- and was slightly crazy. I have to give most of the credit to the show's writers for coming up with such a premise, and a character, but Marsden really did an amazing job bringing Barry to life.

The episode got its title from Claire's crusade against a neighbor who drove her car too fast around the neighborhood -- the same neighbor who Phil was trying to land as a client. I thought the Claire part of this particular story was weak, but Phil more than made up for it with his ineptitude at "leading a double life". He was like the anti-Zack Morris, which is typical for him, but his Phil-ness was amped up in this episode.

Then there was Jay, teaching Manny and Gloria how to ride a two-wheeled bike. Things went fine with Manny, but not so fine with Gloria, who failed in hilarious fashion. That led Jay to call in a replacement, leading to the second-funniest scene in the episode: Luke "teaching" Gloria to ride a bike by shooting her with a water gun until her flight instinct kicked in and she biked away. The only funnier scene? Luke using the same teaching method on Haley. Just watch:







For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Better With You "Better With Skinny Jeans" Reaction


Wednesday's episode of "Better With You" -- "Better With Skinny Jeans" -- had Mia shopping for new jeans after her favorite pair ripped (something she blamed on Ben), Maddie trying to prove to Casey that the U.S. Mail was cool, and Joel trying to improve his standing in the "fantasy draft" of husbands held by Vicky and her friends.

I thought the episode was enjoyable for two reasons. First, the show mixed up the couples, having Ben spend most of the episode with Mia -- his future sister-in-law -- and Maddie spending the episode with Casey. While I wouldn't want this regularly, it was a nice change and it worked for the stories in this specific episode. Ben and Mia in particular had really good chemistry, though that's in large part due to JoAnna Garcia having chemistry with anyone she works with.

The other reason I liked this episode is because of Casey, who is becoming a much more well-rounded character. In early episodes, he seemed to be depicted as just stupid, but as the show has evolved, he's proving to be a more naïve-but-witty well-rounded person. It's like the reverse of what happened to Joey on "Friends", and it's totally working, which makes the show better to watch.

For more coverage of the 2010-11 television season, visit the AdamReisinger.com TV Reviews home page.

Wednesday, January 05, 2011

No Ordinary Family "No Ordinary Friends" Reaction


For those that haven't been watching "No Ordinary Family" since the beginning, Tuesday's episode, "No Ordinary Friends", may have worked as a decent introduction to the show, but for those of us who've been watching all along, it felt like a step back.

The show opened with the aftermath of the fall cliffhanger, and the Powells trying to figure out how to fill in Daphne's memory (the last two months of which had been wiped by Katie's pseudo-boyfriend, The Watcher). Rather than using that incident for dramatic effect, the show gave Daphne a quickie-memory-fill-in via some contact-induced montage, which was an incredibly disappointing cop-out resolution to what had been a glimpse into the show's darker potential.

The rest of the episode played out very tepidly, with the Powells' new family friends, the Cotten family, affecting each member of the family in a different way. Dave, the father, was the prime suspect in a series of art thefts that Jim was investigating, but it turned out that the criminal was really Dave's wife, who'd gotten close with Stephanie. Meanwhile the Cotten daughter got Daphne to run for school president and their son tricked JJ into manning up to impress his girlfriend.

The two latter stories, involving the children, were incredibly weak and seemed more suited for an ABC Family show than one that's on ABC proper. That's been a general failing of the show so far, and it seemed particularly noticeable in this installment, which came right after an episode in which it appeared the writers were willing to take more risks with the characters and the overall tone. Even the Katie story -- in which she admitted to Will/Joshua/Watcher that she was a virgin, then slept with him -- felt surprisingly safe.